Skip to main content

Film Review: "Hereditary"


The great horror films are the ones that have something important to say. Yes, scares matter, but they need to amount to something. For a while, it seemed like horror films had nothing of importance to say. Scares seemed to be the ultimate goal and story was put in the backburner, and that led to a long stream of lackluster horror films. In recent years, however, we have seen genre re-defining films such as The Conjuring, It Follows, A Quiet Place and Get Out restore some of the prestige that horror cinema once had. Hereditary is the latest film to accomplish this, and it is perhaps the most effective in doing so.
Hereditary is all about family. It’s about a family whose evil history comes back to haunt them and little by little begins to tear them apart. The film stars Toni Collette as Annie Graham, who at the beginning of the film finds herself speaking at her estranged mother’s funeral. Due to their strained relationship, Annie finds it hard to really grieve about her mother’s death and wonders out loud to her husband, Steve (Gabriel Byrne), whether she should be feeling more sad than she actually is. Annie’s son, Peter (Alex Wolff), is the outcast of the family and also appears confused as to how he should be feeling, so he retreats to his room where he can be by himself. 13-year-old Charlie (Milly Shapiro) appears to be the one who is most troubled by the death, since according to Annie, Charlie was always the favorite in the family. In the days following the funeral, Annie discovers certain things about her ancestry and the evils that her mother kept hidden.
There are many aspects of this film that were highly impressive, but none more than Toni Collette’s thunderous performance as Annie Graham. The range that Collette is able to bring is nothing short of incredible. She brings a tremendous amount of emotion to a character that is constantly teetering between sanity and lunacy. Watching her slow descent into madness is like watching a masterclass in acting. Hereditary’s success hinges on Collette’s performance and she does not disappoint. It is a career-defining performance that shows just how good Collette really is.
Hereditary is a bit of a slow burn, but every minute of this film is utterly fascinating. This isn’t a film that relies on jump scares. In fact, there are none. What makes Hereditarybe as frightening as it is, is the way in which it blends its ultra-creepy atmosphere with a perfect use of sound and horrifying visuals. In that sense, it is very reminiscent of the horror classic, The Exorcist. Much like the iconic scenes with the possessed Regan in that film, there are certain moments in Hereditary that are sure to impact pop culture in the same way as The Exorcist did. There are short moments of swift, yet disturbing, violence sprinkled throughout the film as it builds up to a completely insane third act. Hereditary offers the type of scares that stay with you long after the film ends. It truly is a haunting story that will leave you gasping for air by the time it is done. 
            Last year’s Get Out was a huge milestone for the horror community and it proved that the Academy is becoming more open to the idea that these films should be considered for major awards. With that being said, you should expect to see Hereditary make a big splash once awards season begins in the fall. Toni Collette’s powerhouse performance is far and away the very best performance so far in 2018, regardless of gender. The film’s screenplay is also phenomenal, as is the cinematography and sound design. When you put all of this together, you get one of the most disturbing, unsettling and horrifying films that you will ever see. 2018’s first real Oscars contender is here, and it should not be missed. This one will shake you to your core.

Comments

Popular posts from this blog

Film Review: "A Wrinkle in Time"

                  Director Ava Duvernay is back, this time helming Disney’s live-action adaptation of Madeleine L’Engle’s book, A Wrinkle in Time .The famed director made history with this film when she became the first female African-American director to helm a live-action film with a budget of over $100 million and only the third female director overall to achieve that budget. The film boasts an impressive cast that includes Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Chris Pine and is led by Storm Reid. The film starts off with a short scene in which a young Meg (Reid) is spending time with her dad, Dr. Alex Murry (Pine). The film then jumps ahead to the present day where the four-year anniversary of Dr. Murry’s mysterious disappearance approaches. The first act moves quickly and it hastily portrays Meg as an outkast struggling to understand why her father left her family. Her 6-year-old genius brother ...

Best Films of 2017

2017 has been a ridiculously good year for film. The amount of legitimately great movies we got is outstanding, but it also made this list extremely difficult to make. There are so many films I genuinely thought deserved to be on my list and having to pick which ones were going to be left out was harder than I thought it would be. I would like to point out that these films are on my list because of how they made me feel, and not necessarily just because of how well-made they are. So, without further ado, here are my top 15 best films of 2017! Honorable Mentions: The Shape of Water, The Disaster Artist, The Babysitter, Gerald's Game, Battle of the Sexes, I Tonya, Thor: Ragnarok and Guardians of the Galaxy Vol. 2. 15. Wonder Woman, dir. Patty Jenkins Wonder Woman  has to be looked at as one of the most important superhero films we've ever had. It came out in a year where the female voice was louder and clearer than it has ever been. There has never been a female-led supe...

Classic Movie Monday: "Rear Window" vs "Disturbia"

There are certain classics that, in theory, should be much harder to re-imagine than others. Often times, it’s very difficult to modernize certain aspects of a story, whether it be the topic or story plot. By all accounts, Alfred Hitchcock’s mystery thriller Rear Window should have been difficult to adapt in 2007. Rear Window ’s plot makes the film date itself more than other Hitchcock films. At the center of the 1954 film, which stars James Stewart, is L.B. “Jeff” Jeffries, a photographer whose broken-leg forces him to be wheelchair-bound and unable to leave his house. Having nothing else to do, Jeff passes the time by spying on the people from the apartment complex across from his. When he sees what he believes to be a murder at the hands of a man named Thorwald, Jeff takes it upon himself to solve the crime. Rear Window remains one of Hitchcock’s most decorated films, so it is no surprise that eventually someone would try and remake it. The question, however, is how? The idea...