I Still Believe in Heroes

             In May of 2017, Universal Pictures announced that the Tom Cruise led The Mummy reboot would be the beginning of its own cinematic universe known as the Dark Universe. This cinematic universe would see Johnny Depp as the Invisible Man, Russell Crowe as Dr. Jekyll/Mr. Hyde, Javier Bardem as Frankenstein’s monster and Angelina Jolie was long rumored to join as the monster’s bride. Those of us who love the Universal classic monster films were thrilled by this announcement. To bring such incredible talent to our beloved monster films was a sign of great things, because why would they sign on if the material was anything less than amazing? Two weeks after this announcement, The Mummy was released and it became apparent almost immediately that this new film was both the beginning and the end for the Dark Universe. 2017’s The Mummy reboot is the latest attempt to bring back the classic Universal monsters, but not the only one. In 2014, Lu...

            We live in an era where remakes and sequels of beloved films are constantly coming out. Every once in a while, a classic or a highly popular film gets remade and it turns out so bad that people claim it “ruined the original”. One such case is Rob Zombie’s remake of John Carpenter’s 1978 horror classic, Halloween. The purpose of this article is twofold. As always, I want to encourage readers to watch a classic film. With this article, however, I also want to try and dispel this notion that bad remakes/sequels ruin the original film.              John Carpenter’s original is widely considered to be a masterpiece and one of the founders of the slasher sub-genre. The story is a relatively simple one. It starts off in Haddonfield, Illinois in 1963 on Halloween night where a 6-year-old Michael Myers kills his older sister shortly after she has finished having ...

There are certain classics that, in theory, should be much harder to re-imagine than others. Often times, it’s very difficult to modernize certain aspects of a story, whether it be the topic or story plot. By all accounts, Alfred Hitchcock’s mystery thriller Rear Window should have been difficult to adapt in 2007. Rear Window ’s plot makes the film date itself more than other Hitchcock films. At the center of the 1954 film, which stars James Stewart, is L.B. “Jeff” Jeffries, a photographer whose broken-leg forces him to be wheelchair-bound and unable to leave his house. Having nothing else to do, Jeff passes the time by spying on the people from the apartment complex across from his. When he sees what he believes to be a murder at the hands of a man named Thorwald, Jeff takes it upon himself to solve the crime. Rear Window remains one of Hitchcock’s most decorated films, so it is no surprise that eventually someone would try and remake it. The question, however, is how? The idea...

Before the release of Wonder Woman, director Patty Jenkins spoke to Fandango about her influences for the film. She mentioned the 1942 classic, Casablanca , and said, “I wanted a great love story where both characters have integrity and it might be set in the complexities of war, but it turns into a grand love story.” At first, I wasn’t quite sure how much Casablanca really factored into Wonder Woman . After all, these are two vastly different films. As I re-watched Casablanca, however, I began to notice similarities between the two that I had never considered. So, as I move forward with this article, I will talk about how Casablanca influenced Wonder Woman . More specifically, how it helped Wonder Woman become a great love story in a genre where great love stories are far and few in between. I want to start off by talking about the characters and draw some parallels between the leads in both films. While watching Casablanca , I couldn’t help but compare Humphrey Bogart’s char...