Skip to main content

Welcome to Classic Movie Mondays


Classic cinema represents the best of what film can be. Most of the films we see and love today take ideas from the classics that came before them. La La Land, one of 2016’s most beloved films, owes a debt of gratitude to films like Singin’ in the Rain, An American in Paris and West Side Story. I believe that it is completely possible to enjoy films without having knowledge of what came before them, but I also think that having that knowledge enhances your experience of them.
I understand why people today might not want to seek out a 70-year-old film. Thanks to Netflix, Hulu and Amazon we have an unending stream of modern films to explore. Even beyond that, I know there are many people out there who simply don’t like black-and-white movies. Others find older movie effects laughable. There are some who don’t watch old films because they look and feel old. With every year comes newer and newer technological advances that make older films look less impressive. Yet, despite all of the reasons to not want to seek these classics out, I believe the reasons to do it far outweigh the reasons not to.
One of the things I love most in film is when I’m watching a movie and then I notice an “Easter egg” that gives a nod to an older film I love. This practice is extremely common in comic book films. Almost every comic book movie has some sort of reference to the movies or comic books that came before them. When comic book fans find them, they lose their minds with excitement over it. Well, it’s the same sort of thing when a regular film references a classic movie. In the film Scream, there are a lot of references to older horror classics that it takes inspiration from. In one such scene, we see a janitor named Freddy dressed exactly like horror-icon Freddy Krueger. In the Disney film, Zootopia, we get a hilarious “Easter egg” that directly references The Godfather.
 While “Easter eggs” are fun, they are not the only reason to watch classic films. Movies are a product of the time period in which they were created. Because of this, seeing an older movie is like digging up a time capsule and seeing what life was like in whatever year or decade the film is from. It is fascinating to see in what ways society has advanced and in what ways it hasn’t. A film like His Girl Friday, which is from 1940, is extremely relevant to the current movement of empowerment that women are going through. Likewise, movies like 12 Angry Men (1957) and To Kill a Mockingbird (1962) still have a lot to say about prejudice and social inequality, topics that still need to be discussed more than 50 years after those films were first released.
Every Monday, I will be talking about modern or beloved films and comparing them to the film(s) that they are influenced by. Things you might expect to see coming up include explorations of Sydney Pollack’s Three Days of the Condor and its influence on Captain America: The Winter Soldier as well as Alfred Hitchcock’s Rebecca and how it served as inspiration for Phantom Thread. Some of these might be more of a “compare and contrast”-type of analysis with films such Black Swan and Dario Argento’s Suspiria. I believe there is a lot to be learned from classic cinema. This is meant to be a celebration of the films that paved the way for some of our most beloved films and I hope you join me in giving them the recognition they deserve. I am always open to suggestions if there is any combination of films you’d like me to explore!

Comments

Popular posts from this blog

Classic Movie Monday: "Captain America: The Winter Soldier" & "Three Days of the Condor"

Great films often borrow elements from other great films. Captain America: The Winter Soldier borrowed from Three Days of the Condor and in doing so, it revolutionized the Marvel Cinematic Universe. For the first time ever, they proved that the movies in the MCU could tackle different genres. For this film, they went in the direction of 1970s political thrillers. The Winter Soldier sees Steve Rogers as a fugitive running from the very people he thought were the good guys, people he served under because he thought they were doing the right thing. As he is being hunted down, Captain America must uncover the truth behind those who are after him.  Leading the charge against Cap is none other than Robert Redford as Alexander Pierce. The fact that it is Redford who is in the role of Alexander Pierce is important because in 1975, Redford starred in the film Three Days of the Condor . This film sees Redford as Joe Turner, a CIA code breaker who walks into his office to find the entire

Film Review: "A Wrinkle in Time"

                  Director Ava Duvernay is back, this time helming Disney’s live-action adaptation of Madeleine L’Engle’s book, A Wrinkle in Time .The famed director made history with this film when she became the first female African-American director to helm a live-action film with a budget of over $100 million and only the third female director overall to achieve that budget. The film boasts an impressive cast that includes Oprah Winfrey, Reese Witherspoon, Mindy Kaling, Chris Pine and is led by Storm Reid. The film starts off with a short scene in which a young Meg (Reid) is spending time with her dad, Dr. Alex Murry (Pine). The film then jumps ahead to the present day where the four-year anniversary of Dr. Murry’s mysterious disappearance approaches. The first act moves quickly and it hastily portrays Meg as an outkast struggling to understand why her father left her family. Her 6-year-old genius brother (Deric McCabe) doesn’t help matters, as he can be a lot to handle for

Film Review: "Wonder Wheel"

Kate Winslet, Justin Timberlake, Juno Temple and Jim Belushi star in Woody Allen's new drama,   Wonder Wheel . The film takes place in 1950s Coney Island and centers around Ginny (Winslet), a waitress that is unhappily married to Humpty, a carousel operator (Belushi). When Ginny falls for a young lifeguard (Timberlake), she begins to find happiness again. When Humpty's estranged daughter shows up and also vies for Mickey's attention, however, Ginny's life begins to unravel. At this moment, I'd like to point out that I've never seen a Woody Allen movie that I actually liked. Movies like   Annie Hall ,   Sleepers  and   Play It Again, Sam  are, in my opinion, absolutely dreadful. Needless to say that going into   Wonder Wheel,  my expectations were about as low as they possibly could have been. For the most part, I was correct in expecting a dull film, but that's not to say that there weren't any redeemable qualities in it. The best part about  Won