I Still Believe in Heroes

"Since childhood, I've been faithful to monsters. I have been saved and absolved by them. Because monsters, I believe, are patron saints of our blissful imperfection. They allow and embody the possibility of failing and living." Those were the words that Guillermo del Toro spoke after winning his first Golden Globe for his directorial work on The Shape of Water . It was a speech that I connected with and understood completely. With the Oscars coming up, I want to say a few words on what Guillermo del Toro and his films mean to me and why I am rooting for him to win the Best Director award at the Academy Awards.              Growing up, my parents never really censored what my brothers and I saw on TV or at the movies. As a result, I was exposed to many of the great horror films at an extremely young age. Slashers were a constant in our home. Despite how much they scared me, they also fascinated me. Slashers were the norm for me until around the age of seven when,

There are certain classics that, in theory, should be much harder to re-imagine than others. Often times, it’s very difficult to modernize certain aspects of a story, whether it be the topic or story plot. By all accounts, Alfred Hitchcock’s mystery thriller Rear Window should have been difficult to adapt in 2007. Rear Window ’s plot makes the film date itself more than other Hitchcock films. At the center of the 1954 film, which stars James Stewart, is L.B. “Jeff” Jeffries, a photographer whose broken-leg forces him to be wheelchair-bound and unable to leave his house. Having nothing else to do, Jeff passes the time by spying on the people from the apartment complex across from his. When he sees what he believes to be a murder at the hands of a man named Thorwald, Jeff takes it upon himself to solve the crime. Rear Window remains one of Hitchcock’s most decorated films, so it is no surprise that eventually someone would try and remake it. The question, however, is how? The idea

            Directing duo, John Francis Daley and Jonathan Goldstein, return for the first time since their debut feature film, Vacation , released nearly three years ago. While Vacation was received very poorly by fans and critics, that should not deter audiences from seeing their new film, Game Night . After a not-so-great marketing campaign, I think most people left this movie for dead. However, there are times when a poorly marketed film turns to be really good and this was one of those cases.             Game Night follows ultra-competitive married couple Max (Jason Bateman) and Annie (Rachel McAdams), along with the friends that they regularly meet with for game nights. The relationship between Max and Annie is briefly but effectively introduced at the start of the film and you buy into their relationship right away. A short montage shows them go from new couple to newlyweds and eventually brings us to present day. It is then that we learn of a certain marital problem

Before the release of Wonder Woman, director Patty Jenkins spoke to Fandango about her influences for the film. She mentioned the 1942 classic, Casablanca , and said, “I wanted a great love story where both characters have integrity and it might be set in the complexities of war, but it turns into a grand love story.” At first, I wasn’t quite sure how much Casablanca really factored into Wonder Woman . After all, these are two vastly different films. As I re-watched Casablanca, however, I began to notice similarities between the two that I had never considered. So, as I move forward with this article, I will talk about how Casablanca influenced Wonder Woman . More specifically, how it helped Wonder Woman become a great love story in a genre where great love stories are far and few in between. I want to start off by talking about the characters and draw some parallels between the leads in both films. While watching Casablanca , I couldn’t help but compare Humphrey Bogart’s char

After directing Fruitvale Station , Creed and now, Black Panther , Ryan Coogler has established himself as one of the very best directors of our era. In Black Panther , he created a breathtakingly beautiful world that was as vibrant as it was authentic. I am by no means an expert in African culture, however, it appears as though the filmmakers took great care to make this entire world look and feel as genuine as possible. This is a very stylish film, which is great, but what makes it even better is the fact that underneath all of that there is a huge amount of heart.               The film opens up with a very cool introduction of Wakanda that explains how they came to be. It’s a brief scene but an important one since it helps set up a very different world that the audience has not yet seen in the Marvel Cinematic Universe. After this introduction, however, we are taken to Oakland where we meet a young King T’Chaka (Atandwa Kani) and his brother, N’Jobu (Sterling K. Brown). It’s

Great films often borrow elements from other great films. Captain America: The Winter Soldier borrowed from Three Days of the Condor and in doing so, it revolutionized the Marvel Cinematic Universe. For the first time ever, they proved that the movies in the MCU could tackle different genres. For this film, they went in the direction of 1970s political thrillers. The Winter Soldier sees Steve Rogers as a fugitive running from the very people he thought were the good guys, people he served under because he thought they were doing the right thing. As he is being hunted down, Captain America must uncover the truth behind those who are after him.  Leading the charge against Cap is none other than Robert Redford as Alexander Pierce. The fact that it is Redford who is in the role of Alexander Pierce is important because in 1975, Redford starred in the film Three Days of the Condor . This film sees Redford as Joe Turner, a CIA code breaker who walks into his office to find the entire